COMEDY REVIEW: ROMESH RANGANATHAN @ THE FACTORY THEATRE (25.04.2017)

Romesh Ranganathan is a comedian whose tongue is placed so firmly in cheek that it threatens to come out the other side. This English comedian of Sri Lankan descent performed his debut Sydney comedy show to audiences who may be familiar with his work thanks to TV spots on Live At The Apollo and Would…

FILM REVIEW: THINGS TO COME (L’AVENIR)

  Just like starting over. That’s the name of a John Lennon song but it’s also a line that could be used to sum up the French film, Things To Come (L’avenir). The story is a subtle character study about a middle-aged woman and how she negotiates a bunch of set-backs with a kind of…

NETFLIX REVIEW: CASTING JONBENET

  Casting JonBenet is a film that requires you to know this unsolved murder case but also leave your expectations at the door. In the 20 years that have passed since the murder of the child beauty queen, JonBenet Ramsey there have been all manner of documentary exposés and coverage of this crime. Yet Casting…

BOOK REVIEW: SARAH SCHMIDT – SEE WHAT I HAVE DONE

See What I Have Done adds a unique perspective to a famous unsolved murder case and, while it is intriguing, it is let down by some issues with its structure and characterisation. Regardless of this, it will no doubt appeal to some readers as it gives a new take on the case but allows them to…

FILM REVIEW: WENDY & LUCY

  Wendy & Lucy is a film that could be renamed “A Street Dog Named Lucy.” I tells the story of a homeless and nomadic American woman and her faithful companion, a dog named Lucy. The story is a slow character study that is lacking in characterisation, drama and detail. The story is directed by…

FILM REVIEW: SOPHIE & THE RISING SUN

  Before there was Loving there was Sophie & The Rising Sun (well, sort of). Sophie & The Rising Sun is a romantic story and like Loving it is one that’s all about a bi-racial couple. The film is ultimately a beautiful but fictional love story where you can really sit back, relax and get…

TV REVIEW: GIRLBOSS

  Girlboss is a series that may leave viewers feeling conflicted. While it’s great to see an underdog making good and pursuing her passion it’s also hard to root for a lead character who is so inherently unlikeable. This Netflix series is ultimately like a fun ball of fairy floss, it’s pleasant enough at first…

BOOK REVIEW: CATHERINE FOX – STOP FIXING WOMEN

  For years society’s “fingers” have been squarely pointed at women. We’ve been told what to do, what to avoid, to lean in, speak up, support each other and back ourselves. But has this information – which is sometimes contradictory – actually helped achieve anything? The gender pay gap remains largely unchanged and the percentage…

BOOK REVIEW: CLEMENTINE FORD – FIGHT LIKE A GIRL

  Clementine Ford’s latest book Fight Like A Girl packs punches in the best possible way. The feminist commentator has penned a volume that is like a personal polemic; one that is not dissimilar to the work of Lindy West, Caitlin Moran, Tara Moss et al. Fight Like A Girl then, is another important and welcome addition to the…

TV REVIEW: THE IMMORTAL LIFE OF HENRIETTA LACKS

The name Henrietta Lacks may not mean an awful lot to some people but in reality it should be one of the most famous names in history. Lacks is responsible for revolutionising modern medicine and contributing to every recent major medical breakthrough from vaccines for polio, HPV and the flu-shot; to IVF and treatments for…

BOOK REVIEW: TEA COOPER – THE CURRENCY LASS

  The Currency Lass is a dramatic story about a young woman who runs away to join the circus. The eponymous character is Catherine Cottingham, an independent young woman who is orphaned on the verge of her 21st birthday. Her philanthropist father has passed away and left her riddled with a saddlebag of debt. This…

THEATRE REVIEW: TALK @ SYDNEY OPERA HOUSE (UNTIL 20 MAY)

  Talk is a play that feels like Frontline version 2.0. It’s a satirical look at the modern state of journalism, a place that has seen many experienced reporters lose their jobs while amateurs and citizen journalists have risen up. This Sydney Theatre Company production is a searing indictment on the current media climate as…