Loving is a film that shares a few things in common with A United Kingdom. They are both based on true stories and at the centre of each film you have a married, interracial couple who just want to live together as husband wife and leave the politics out of the bedroom. Loving is a beautifully-shot and subtle drama about one inspiring romance.
The film is named after the real-life couple, Mildred and Richard Loving. Ruth Negga is really sensitive and expressive in her Oscar-nominated performance as Mildred and she shares a noticeable chemistry with our very own Joel Edgerton who plays Richard. These two actors should be commended for their respectful and convincing performances.
The Lovings were married in Washington in 1958. They married here because they feared they would encounter problems by getting married in their home-state of Virginia. The latter state still had a draconian law that was a relic from a bygone period (where slavery was the norm) that banned mixed-race couples from marrying. The couple were dobbed in to the authorities and eventually arrested.
Mildred and Richard Loving were released without having to serve prison terms because they agreed to leave their home-state and extended families in order to live elsewhere. The pair initially agreed to this proposal and lived in Washington. But they eventually returned to Virginia because they were homesick and they just wanted to live a quiet life and not bother anyone.
The couple that were the inspiration behind this film were also rather reluctant civil rights activists and stars. Richard Loving was a man of few words. Joel Edgerton dons a blonde buzz-cut and portrays him as a quiet and devoted construction worker who has a keen interest in drag-racing. When asked what he wants his lawyers to say in court in the couple’s defence he simply responds, “Tell the judge I love my wife.”
The Lovings were also rather reserved and dignified throughout the entire ordeal. Mildred would write to the then Attorney General, Robert Kennedy seeking an intervention and eventually the American Civil Liberties Union took their case all the way to the U.S. Supreme Court in 1967. Director and writer Jeff Nichols’ (Mud) script does not take cheap shots and nor does it play up the melodrama, the courtroom tactics or other histrionics involved in this case. Instead, Nichols leaves the audience to witness the quiet moments of tender domesticity between these two lovebirds as their love grows and they build a house, family and life together while also tackling the U.S. bureaucracy.
Loving is not a film that is filled with beat-up drama or other unnecessary bells and whistles, instead it is quiet meditation on true love, courage and commitment. This story about racism and politics remains an important one today as the government continues to try and wield power over who can marry (to think that Australia still does not have gay marriage is utterly deplorable). Loving is ultimately a subtle and nuanced domestic drama that is a study in the true power of love.
Originally published on 12 March 2017 at the following website: http://iris.theaureview.com/sxsw-film-review-through-the-repellent-fence-usa-2017-uses-art-to-make-an-important-political-statement/
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