THEATRE REVIEW: TALK @ SYDNEY OPERA HOUSE (UNTIL 20 MAY)

  Talk is a play that feels like Frontline version 2.0. It’s a satirical look at the modern state of journalism, a place that has seen many experienced reporters lose their jobs while amateurs and citizen journalists have risen up. This Sydney Theatre Company production is a searing indictment on the current media climate as…

THEATRE REVIEW: DOGFIGHT THE MUSICAL @ LEND LEASE DARLING QUARTER

  Dogfight The Musical is not designed to be safe or comfortable viewing, but it’s certainly a visceral experience. The stage show is an adaption of the 1991 Warner Bros. film with the original screenplay by Bob Comfort and music and lyrics by Benj Pasek and Justin Paul. In the hands of the Blackout Theatre…

THEATRE REVIEW: ALL MY LOVE @ RIVERSIDE THEATRE, PARRAMATTA (17.02.2016)

  Henry Lawson and Dame Mary Gilmore (nee Cameron) are famous Australian authors who appeared on Australia’s old paper $10 note. They’re also the subject of an intense period drama and romantic play called All My Love. It’s a story that asks a number of “What if?” style questions and hints at what could have been a…

THEATRE REVIEW: THE RABBITS @ ROSLYN PACKER THEATRE WALSH BAY (14.01.2016)

Photo by: John Green   The Rabbits is an Australian opera adapted from a picture book that is anything but child’s play. The original story was written by John Marsden, who penned the Tomorrow series, and was illustrated by Shaun Tan (The Lost Thing). It’s an allegorical tale that examines the colonisation of Australia with…

THEATRE REVIEW: EMERALD CITY @ PARRAMATTA RIVERSIDE (10.12.2014)

  David Williamson’s 1987 play and subsequent film, Emerald City is as relevant today as it was back then. The story is a satire based on two creative industries: filmmaking and book publishing. It looks at the dichotomy between producing something because it has creative or cultural significance or because it is a money-making machine…

THEATRE REVIEW: BRAZOUKA @ ENMORE THEATRE

  Brazouka made it feel like the Rio Carnival had come to the Enmore. It saw comedian, Billy Connolly acting as the voice of authority and it had the promise of dusky temptresses plus colour and candour from the get-go. It was also a setting where gyrating uncontrollably wasn’t frowned upon but in fact actively…