THEATRE REVIEW: CANDIDE @ SYDNEY OPERA HOUSE

Photo credit: Grant Leslie For years people have been perplexed by Leonard Bernstein’s Candide. Is it an operetta? A comedy? Musical theatre? A little of all of the above? Perhaps the safest description is that of “comic operetta,” where the draw-card is some dynamic and electric music. Mitchell Butel directs this latest production, which coincides with what would have been Bernstein’s…

THEATRE REVIEW: THE WHARF REVUE @ RIVERSIDE THEATRE

  The Wharf Revue have been proudly entertaining audiences by skewering politicians since 2000. This year’s instalment was the troupe’s first without co-founder and musical director, Phil Scott, but the show remained strong and funny. The opening night at Parramatta’s Riverside Theatre was a rollicking one with a vaudeville feel that hit some really high notes….

FILM REVIEW: THE WHARF REVUE 2015 PRESENTED BY THE ACTORS BENEVOLENT FUND

  The Actors Benevolent Fund is a non-profit, charitable organisation who has been providing financial and practical assistance to professional performers since 1944. They support individuals who are unable to work due to illness, injury or disability. This charity recently held a fundraising night at Dendy Opera Quays where they screened a recording of the 2015…

THEATRE REVIEW: TALK @ SYDNEY OPERA HOUSE (UNTIL 20 MAY)

  Talk is a play that feels like Frontline version 2.0. It’s a satirical look at the modern state of journalism, a place that has seen many experienced reporters lose their jobs while amateurs and citizen journalists have risen up. This Sydney Theatre Company production is a searing indictment on the current media climate as…